
The Super Flip
Ross Champion Gives Personal Watercraft Illustrated his IFWA-Winning Trick’s Play-by-Play
Text by Ross Champion
Photography by Ludo Mouveau
Progression is an essential part
of any healthy sport, and the last few years of freeriding have seen lots of
progression. Joe Kenney pushed the sport to new heights (literally) with
amazingly huge aerials, the likes of which are rarely seen today with his
absence from the competitions. Taylor Curtis is constantly pushing the limits
of power surfing a SuperJet. Jerry Brandon and Mike Serlin seriously take style
and amplitude to another level. But, the real technical innovation has come
from the French.
Eric Fornay was the first to do
lots of the inverted variations, (can-can flip, no-handed flip, etc.) that are
becoming commonplace at the top level of freeriding today. Gil Beurnier
perfected the no-handed flip, and Romain Stampers does barrel roll re-entries
effortlessly. Of course, the one that has pushed the sport the most the last
several years is the French three-time World Champion, Pierre Maixent. Most
notably, his one-handed can-can flips and other one-handed, one-footed
variations have caused everyone in professional freeriding to raise his game in
order to even be considered in the same league as Pierre.
Pierre was the biggest
inspiration and help in my working toward the Super Flip. We both knew that his
one-handed, single-foot flips – while still completely insane to watch – were
beginning to become routine to fans and judges. The Super Flip seemed, to both
of us, like the next logical step in the evolution of tricks in our sport. During
our marathon 36-hour drive to Morocco from Bordeaux, we spent most of the trip
talking about ski setup and how to do the trick. By the time I flew back home,
I had a good understanding of how I was going to do it and it became a matter of
making it happen.
Before one can even think about
doing a Super Flip, the SuperJet needs to be properly set up. The first step is
to find a way to limit the pole so that you do not extend too far away from the
ski. I use a shorter Blowsion limiting rope that I attach to a carabiner on the
dash. Second is a system that stops your forearms so you can control your
rotation and get back in to the tray before landing. Thanks to EJ Bezley at
BrapStrap, I have a quick release system that allows me to put the stops up
when I am about to do a Super Flip and then move them to a safer, more out of
the way position when riding normally. This system should be available for sale
through Blowsion some time before the end of the year.
Once the ski is properly set up
(pole limited, wrist stops up), the actual trick is not all that hard. I set up
for the flip much like I would a normal flip, except for a few key differences.
My feet are together at the back of the tray – not in the foot holds – and to
compensate for the slower rotation of the Super Flip, I initiate the flip a
little harder than I normally would.

Once the ski is clear of the top
of the wave, I kick the tray away from me with both feet and begin to extend my
body. The ski rotates quickly at first, but slows as my forearms hit the stops;
this allows me to extend farther away from the ski as the ski's rotation stalls
out.



When I am ready to get back to
the tray and finish the rotation, I simply pull myself up and around like I am
trying to swing over the bar. This movement starts the second half of the
rotation and puts me back in the tray of the ski. It is critical that this part
is timed well because there is no effective way to slow your rotation to avoid
a flat landing once pulling myself back to the tray. When done correctly, I
will land nose first and ride away cleanly.









Technically, I would say the
trick is on par with a no-handed roll as far as difficulty goes. I am not
recommending that anyone try this, because it is quite dangerous. But, I do
expect (and hope) that most of the top guys will start doing the Super Flip and
variations on it very soon. The hardest part is actually committing to the
first one. I was fortunate enough to have a good friend, Derek Gleason, out
there to push me on the first day I tried and pulled the trick. His feedback
and support was essential in getting me to fully commit to it.